Becoming a violin luthier
The path to luthiery is different for everyone, whilst traditionally it was a father-son apprenticeship, or apprenticeship to a violin maker you knew, this is less likely in Australia than somewhere like Europe. Thus for some it means going overseas to study, or taking up a kind of apprenticeship in a specialty music shop. There is something about being an apprentice in an old world European workshop that appeals to us all I think…and some secrecy too.
In getting to know violin luthiers here in Brisbane and further afield, there is a bit of a mix of all of these and everyones path is somewhat different. For my own part, coming from an academic background I can see the advantages of a deep dive under a single master, but also the wide range of expertise from a course of study, or a more collegiate style approach.
However you get your start I am not sure it matters so much its generally driven by passion rather than anything else. Along the way there are plenty of barriers of entry to the trade to deter the casual and while luthiers are in short supply, its not something to do if you want to make a lot of money.
Most luthiers I have come across have an intrest in music, usually and ideally a string player in music. They also need to have some manner of mechanical aptitude and affinity with wood. Luthiery is thus the intersection of these two skill sets – and they don’t commonly intersect – but here is the sweet spot for a violin luthier. Being able to play the violin and perhaps even teaching experience all helps in under standing the needs of a player – and is a really important ingredient for understanding what a violin should be able to do. A musical ear is really helpful here for fine tonal adjustments. An ability to understand the mechanics of a violin, how it works from a acoustical-mechanical perspective help guide the craft. An appreciation for fine tolerances, combined with practical skills with tools is the second major skill set. Understanding wood and tools used to work wood at fine tolerances, together with finishing and construction are something that need to also be developed along the way.
So if you can play a Paganini caprice or two and cut a decent dovetail joint…you will likely make a fabulous luthier in time.
For the rest of us mere mortals this is something we might work up to in time, not sure about the Paganini bit…but hey this is a blog). Luthiery, just like playing a violin is where a teacher plays a pivotal role. Being shown technique and then practicing your scales err… skills over and over is important. After you have carved and admired your first bridge, you will look back on it 50 bridges later and wonder what you were thinking…and so one as you master technique after technique.
My own journey began as a player, and then repair of my childrens instruments under the watchful eye of a violin maker friend…eventually he told me to hang a sign out…but more on that later.
