I have lost count of the times I have been servicing a $300 instrument only to find $180 strings on it, because that was what some music store (or cough teacher) recommended. I know why they recommended it of course the % markup on strings is pretty low, so if you can sell an expensive set you are more likely to cover your transaction costs.
But is not really a good match for the violin or likely the player, It’s a bit like putting racing tires on a Hyundai Excel or a donning Tuxedo to go water skiing… looks great, but not really fit for purpose. In fact for a beginning student expensive string may make them sound worse…amplifying every technique imperfection.
There are literally hundreds of violin strings on the market today and you can buy them all in Brisbane, with great variation between them in tonal properties, projection and durability. Yes they are expensive, why can’t they be like guitar strings at $20 a set you ask? Its all in the construction, and perhaps to the premium of playing a classical instrument?
So what do I recommend? Here are some thoughts…
Steel strings…
Steel strings – everyone wants them on a guitar , but on a violin they don’t sound the best. Probably this is because the modes of vibration, don’t get the delicious upper order harmonics nor the rich fat lows. But on smaller instruments where the string length is shorter, so they are not so tight its not too bad and so are a good match for beginners. The tone on smaller violins tends not to be stradivarius quality, as they re generally cheaper instruments only used for 6 months or so so expensive strings are a bit of overkill. I like the Clarion Silver Strings, with a multi stranded steel core and last a longer time. So a good match up even on 3/4 size instruments, if its your first instrument and your just starting out ~$25 a set too they are easy on the pocket.
Filament cores…not cat gut
Filament cores are the modern equivalent of traditional gut strings (which were never made from cats), but without the challenges of humidity, tuning and generally better sound projection (pursuits have at me in the comments section if you will)
What to choose – Basics
By the time you are on a 3/4 or 4/4 instrument though you will probably want something better than steel, to reflect a better instrument and also to reflect you developing tone production abilities.
Thomastik Alphayue come in around $50 and then Pirastro Tonicas at ~$65 and are a good choice here. In fact Tonicas will do you well into your third grade of playing and beyond.
From here though what string you use starts to depending on you as a player, your violin (especially if its electric) and the kind of music you play. Thomastik Dominants have been around forever, and are a mainstay of quite a few professional and amateur violists alike , at ~$100 treat yourself to solid performer perhaps?
The above strings are what I tend to keep in stock for setting up instruments new and preloved, though I can order in anything my Brisbane violin customers want as well.
Stepping up
Pirastro Violino (~$80) can bring down a hard edged new instrument a bit and for the more serious Pirastro Obligatos ($175) can bring out some rich dark tones, Larsen Tzigane(~$120) are another option in this regard for some really chewy tone.
If you want a bit more brilliance and projection go for Evah Pirazzi Strings ($165) or newcomer Warchal Brilliants (~$120 ), pronounced as Varkal if you want to sound sophisticated at the till ( the V and W sounds are substituted in some European countries). There are also the Thomastik Infeld Red and Blue (~$130), designed to mix and match to get the right string for your violin across the 2 sets (and give you something sophisticated to talk about – like you are discussing fine red wines).
Durability
Strings can last anywhere from 6 months to a year depending on how much you play them, yes many will keep going long after that but they tend to lose their “magic”. Evah Pirazzi’s for example are a favourite soloist string but are infamous for not keeping their zing all that long (3 months some people recon). String lose their sound so slowly you may not even notice it till you put a fresh set on and then “wow these are the best strings ever”.
When to change
I usually have a set of what I want to try next in my violin case. When the first string goes (breaks or gets ‘fuzzy’) and change it only and maybe wait till the second one goes before I give in and put them all on.
Strings tend to go better with their own kind , I suspect this is because all the strings resonate sympathetically to the one being played, though often people might have an E string they prefer (especially if you have a wolf note – you’ll want the patented Amber E from Warchal)
Most often its the A string that goes first, up near the fingers, there is something about its winding and finger sweat that does mix. On student violins its often the E string – as a victim of over enthusiastic tuning …ping!!!
Simply for Strings in Brisbane Northside runs a programme every year called Stringtember, with a modest discount on all strings. It’s as good a reminder as any to change your strings. I suspect they chose September because it is the quietest time of the year in the trade (except possibly week 3 of term 1 ) so it makes sense to drum up business..and hey while you are here look at these lovely instruments 😉 As for me its when I catch up on all my backlog of instrument renovation getting ready for the December rush.
So your spending anywhere from $60 – $160 a year on strings, it sound like a lot but remember thats just the cost of a few violin lessons. Strings are what make the sound and are only cents per day, so get over it and treat yourself and your violin.
Experimenting with sound
Here are some violin string tonal charts. I like this one from violin string review the most, because its multi brand, and you can read loads of crowd sourced reviews of strings here as well. To help you decide to drop you $$ on. It can feed your confirmation bias on what you think you want , or help you discover something new.
Hear loads of strings being played on the same instrument and discussed (Courtesy of whitehorsemusic.com.au in Sydney)
