One of the playing and performing opportunities you don’t hear much about (see also orchestras and fiddle groups),but is surprisingly popular among violinists who come through my workshop is worship music (also cello and violas too).
Whether it’s traditional hymns or more contemporary worship, the violin (and other stringed instruments) is a natural fit. The setting is usually relaxed, the audience is welcoming, and you’ll often find yourself connecting with a great community of musicians.
In most cases, it helps if you come from—or are at least open to—a faith tradition, though expectations vary from place to place.
Playing Violin from Hymnals
Playing from a hymnal is fairly straightforward.
If there are no vocalists leading, you can simply play the melody line. Alternatively, if you have access to an SATB (Soprano–Alto–Tenor–Bass) hymnal, you’ve got four parts to choose from (including bass clef, if that’s new territory).
Playing violin in Contemporary Worship Bands
If you’re playing contemporary music, you’ll likely find yourself in a band setting—no conductor, and often no written violin part.
Instead, you’re usually given a lead sheet with a melody line (sometimes vocal harmonies) and chord symbols.
If this is new to you, it’s a journey—but a worthwhile one.
Your goal is to find a “sound pocket” that complements what everyone else is doing. Fortunately, stringed instruments are incredibly adaptable.
Here are some practical approaches:
- Give the singers space
Avoid doubling the vocal melody constantly. Try coming in on the chorus, or play an octave above or below. - Outline the harmony
Learn the notes within each chord and support the texture with long, sustained tones, be your own string section (a bit of reverb helps). - Think like a guitarist
Add fills, licks, and small melodic ideas in the gaps between vocal phrases. - Echo the melody selectively
Reinforce key phrases when it adds impact. - Use intervals
Playing in thirds above or below the melody can add richness. - Explore rhythmic techniques
For more upbeat songs, try chopping chords (look up “chop bowing”) to create percussive energy.
You’ll also likely end up playing into a mic or exploring pickups as well
Expanding Your Toolkit
Chris Haigh has some excellent resources that can help expand your musical vocabulary and improvisation skills—well worth exploring if you’re stepping into band playing.
A Different Mindset
The key to playing in a worship setting is shifting your mindset.
You’re not there to perform—you’re there to support the worship experience of others.
There are moments where you may step forward, particularly during reflective parts of a service (such as communion) with a solo piece, but overall the role is collaborative and supportive.
It’s usually a welcoming environment—and for some players, it can even become a deeply meaningful or life-changing musical / faith experience.